The Southern Sounding offers album reviews, track spotlights, film features and other pop culture curiosities.
Adeline Hotel’s latest record, “Away Together,” is a gorgeous folk mystery just waiting to be unwound and studied and appreciated.
“Honey” doesn’t quite hit the magnificence of “Body Talk,” but it’s easily one of the best records of the year, finding new ways to express heartache, love and lust within the confines of pop music.
The new record from Richmond, Virginia band Neat Sweep possesses a power-pop theatricality which 2018 has sorely lacked.
East Tennessee rock band Commander Keen explores a host of Southern ghosts and mammoth riffs on new record.
On their new record, Jim Shorts drop the lo-fi bedroom project feel of their earlier releases for some fuzzed-up guitar pop that feels more muscular and matured.
Kacey Musgraves offers an unexpectedly diverse and expansive tour of the country music genre on her towering new record.
Holy Wave links the garage-pop of the '60s with the rhythms of shoegaze and dream-pop on their impressive new record.
Bristol producer Henry Green's debut record is a gorgeous blend of vintage electronica and modern atmospherics.
Metallurgists Iron Reagan and Gatecreeper have teamed up for a devastatingly brutal and bruising split EP.
Of Montreal's latest record, "White is Relic/Irrealis Mood," is their best since 2013's "lousy with sylvanbriar," and maybe even 2007's "Hissing Fauna, Are You the Destroyer?.