Whether you’re looking for complex post-rock catharses, a potent alt-rock swagger or just stories of heartache, love and desolation, Magnificent Lions have got you covered.
Dylan Ireland’s new EP, “Once Upon a Time in the South,” is a brief but complex glimpse into Southern life and how hip-hop’s divergent sounds have shaped his perspective on the world around him.
The Mailboxes play host to stray fragments of haunting voices, sparkling keys and bits of background percussion to create something otherworldly and mournful on new single, “All I Know.”
On recent single, “Mind Control,” LRNZ. blends soulful vocal rhythms with vivid synths and old-school beats that seem to rattle around in your chest for hours.
On their new single, “Sheepshank,” the band veers closer to modern rock territory without sacrificing the crunchy guitar licks and complicated pop-rock mechanics which have come to characterize their music.
Reminiscent of an old Willie Nelson shuffle, “Shiver” offers a sincere homage to the traditions of country and folk music and revels in the band’s charismatic distillation of familiar inspirations.
On recent single, “Body Language,” Summer Dregs create a churning electro-pop potion that bubbles and boils with off-kilter percussion, rumbling synths and warped harmonies.
On recent single, “Sleepwalker,” Sylver flexes a potent pop-EDM muscle, but it’s laced with a euphoric dancefloor theatricality that holds a considerable emotional resonance.
Swayyvo’s new single, “Sho Nuff,” is a volatile and complicated look into his psyche, and it’s also a banger that’ll turn any room into a club.
Ryan Oyer’s latest single, “Little Bird,” is a tender offering that lovingly details one man’s affection for the person around whom his heart revolves.